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The convenient notion of "Crowd sourcing"

I own a bat, a fairly good one at that – it’s a Kashmir willow. But when I wield it, I am hardly the best even in my own team.

Owning a bat does not make me a good batsman and I’d hope that no selector of any repute in any league would consider me for a place in his side.

Why is this analogy relevant to “crowdsourcing”?

Because that is exactly what crowdsourcing is interpreted as. Its basic premise is that because more people have access to smart phones and computers with internet connections, they are all “creative” individuals.

Hence, their creative talent should be tapped into, since it is the most promising way to create relevant, enjoyable content.

I own a bat, so I must be a good batsman. People own smartphones, so they can create good content.

See the problem?

This perception is more prevalent in advertising and communication creation circles. Movie studios and news creators still operate with the view that scripts and opinion articles are the purview of the specialist, the trained. A scriptwriter or a journalist seldom relies on “crowdsourcing” to create their content. Of course, there is the occasional lip service to the concept through “citizen journalism” initiatives but they never become prime time news.

Advertising, on the other hand, believes that “Consumers are the new creative director”. Words like “collaboration” are bandied around as the new norm. The need to work with consumers and tap into their “creative potential” to create memorable advertising is the new advertising mantra. Creative directors view the power of digital as that – to create the bridge between them and consumers.

There are two problems with this misplaced belief – the first being the one stated earlier; not every person has trained creative skill; i.e. the skill to crack a great platform idea or the ability to create a great piece of content that moves people. True, there are some bright sparks, but using a cricket analogy again; it’s not every day that Imran Khan would find an extremely talented but unknown Wasim Akram walking randomly into a nets session.

The 2nd is an almost self-defeating prophecy – if indeed consumers are the new creative directors, then what will the creative directors and art directors do? Curate? Wouldn’t that be a little limiting, frustrating and eventually spell the extinction of the “creative department” in agencies?

 The truth is that “crowdsourcing” can always be extremely useful in creating engagement, when given direction. “Selfie” driven campaigns, ones where consumers are meant to respond to specific stimuli (Old Spice, Mentos “Dimaag ki batti”) are ones that work because they provide consumers direction to their creativity – it provides the contour that makes the creative output useful, much like a sharp brief.

It allows the brand to own and associate with content that it does not need to pay to create but makes the brand look cool, hip, meaningful and most importantly approachable.

But to expect crowdsourcing to drive thought leadership is akin to expecting a Shivaji park rookie to score a century at the MCG. Miracles happen occasionally, but banking on them can be foolhardy

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